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London and New York: Routledge, 2003. 83-99. Stockwell, Peter. Cognitive Poetics: An Introduction. London and New York: Routledge, 2002. Su, John J. ” Critique 44, 2 (2003): 157174. uk/searchFulltext. 30/9/04 11:01. 1-10. Thomas Loe Landscape and Character in Jane Eyre and Wide Sargasso Sea The popularity and influence of Charlotte Brontë’s Jane Eyre is difficult to overestimate. Not only has this novel had a clear and major impact on a range of major issues for novels that followed, but it has also affected the way narratives can be perceived and defined.

München: Fink, 1985. Said, Edward W. Culture and Imperialism. London: Vintage, 1993. ” Critical Inquiry 12 (1985): 243-61. Stoneman, Patsy. Brontë Transformations: The Cultural Dissemination of Jane Eyre and Wuthering Heights. Hemel Hempstead: Prentice Hall/Harvester Wheatsheaf, 1996. Part I Novel Adaptations Bárbara Arizti The Future That Has Happened: Narrative Freedom and Déjà lu in Jean Rhys’s Wide Sargasso Sea1 The purpose of this essay is to reread Jean Rhys’s Wide Sargasso Sea in the light of the recent ‘ethical turn’ in literary studies.

Ed. Susanne Stark. Amsterdam: Rodopi, 2000. 173-194. Barthes, Roland. Die Lust am Text. Frankfurt am Main: Suhrkamp, 1974. Bilston, Sarah. The Awkward Age in Women’s Popular Fiction, 1850-1900. Oxford: Clarendon Press, 2004. 36 Barbara Schaff Blau du Plessis, Rachel. Writing Beyond the Ending: Narrative Strategies of Twentieth-Century Women Writers. Bloomington: Indiana UP, 1985. Bloom, Harold. The Western Canon: The Books and School of the Ages. London: Macmillan, 1995. Eagleton, Terry. Myths of Power: A Marxist Study of the Brontës.

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